Adam Waldron-Blain is a famous artist in Edmonton. More »
Erased erased de Kooning drawing 2
2009
transparent photoshop layer
download here
I’ve been going through my archives and...
Ser Ilyn Payne and Sam the Eagle… Separated at birth?
And I rather like it. I understand that a lot of people use tumblr as a moodboard for eye candy. I’ve never...
Clare Westcott, chairman of the Metropolitan Toronto Police...
I read “High Fascism” in the NY times:
France is highly sensitive to such matters, and reprisals came quickly. Dior fired Mr. Galliano, who now faces charges of using a racial insult, a crime in France. But beyond the spectacle of one man’s abhorrent politics, the episode invites consideration of the curious relationship between French fashion and fascism.
Ok, pretty good.
(Image from Jezebel who don’t seem to realise that the whole point of fascism was to try to make pretty things, actually.)
But where is the in-depth critical discussion of Galliano’s collections noting their emphasis on the aesthetics the high-modernist well-to-do of the 1920–40s, the association of that aristocracy with fascism, and increasing political trends towards restoring a version of the pre-WWII, pre-welfare state political-economic system with nationalist political movements, income equality, battles between opposing politicised youth, widespread uprisings, top-down class warfare in the form of misguided financial austerity poorly justified by recession, &c.
Can somebody point out this article for me, or does it not exist yet?